The Plaster Cast Collection

Plaster cast statues in library, 1904. Photo by Edward H. Stone.

Edward H. Stone Collection. Special Collections and University Archives, Colgate University Libraries.

Colgate’s collection of plaster casts represents an important chapter in the history of the Classics at the university. A plaster cast is primarily a teaching tool. Molds, taken from original Greek and Roman sculptures held in the collections of European museums, were used to cast one-to-one replicas in plaster. In the later part of the nineteenth century, this inexpensive process of serial-reproduction made access to Greek art affordable for middle-class Americans who did not have the financial means to travel to Europe to see the originals. Professor Newton Lloyd Andrews introduced Greek Art to the curriculum of the Classics department in 1873 and was a prominent figure in the development of the university’s collection. For the teaching of Greek art and archaeology, the collection of casts was as important as a laboratory for the physical sciences.

The Reading Room

West end of reading room in library with winged statue, 1904. Photo by Edward H. Stone.

Edward H. Stone Collection. Special Collections and University Archives, Colgate University Libraries.

A significant donation of sixteen casts was made in honor of Trustee George L. Stedman in the early 1900s. The casts were purchased from P.P. Caproni and Brother of Boston, the main supplier of plaster casts to universities and museums. The casts of The Stedman Memorial were displayed in the newly constructed J.B. Colgate Library, where they were carefully arranged to convey symbolic messages. Photographs of the main reading room of the library show that a portrait of Colgate’s benefactor, James B. Colgate, is placed front and center. A portrait bust of Nathaniel Kendrick, the first president of the university flanks the right side of James B. Colgate, while the marble bust of Walter Brooks, beloved minister of Hamilton’s First Baptist Church and instructor at Colgate in the late nineteenth century, flanks his left. Brooks speaks to the theological roots of the university and the Baptist faith’s ongoing relevance at the turn of the twentieth century. A cast of the Apollo Belvedere, once viewed as the perfected portrait of noble male beauty, stands next to Nathaniel Kendrick. Placed next to the first president of the university, Apollo’s image evokes the idea of youthful intellect taking shape and attaining ideal manhood at Colgate. To the left of Brooks is the Athena Giustiniani, a symbol of wisdom. Here she emphasizes the wisdom acquired through the study of theology. In short, the tableau of portraits and plaster casts in the main reading room of the J. B. Colgate Library expresses visually the university’s motto, Deo ac Veritati, For God and Truth.

Northeast corner, first floor of library with statues, including Civil War Memorial, 1904. Photo by Edward H. Stone.

Edward H. Stone Collection. Special Collections and University Archives, Colgate University Libraries.

The Stedman Memorial Given by widow and sons in honor of

George L. Stedman,  Trustee and Friend of  Colgate University

Gift of Class of 1882

Discobolus

Gift of Class of 1894

Homer

Gift of Class of 1895

Virgil

Alumni Association of Albany and Troy

Apoxymenos

Praying Boy

Athena Giustiniani  

Apollo Belvedere

Niobe and Daughter

Nike of Samothrace

Dying Gaul

Resting Boxer

Artemis of Versailles

Artemis of Gabii

 

Hermes of Andros  

Aphrodite of Melos

Wrestlers

Laocoon 

Anacreon

Antinous

Amazon

Satyr by Praxiteles